
Elsewhere, everything becomes more conscious.
Rob Rombout, in Les Plats Pays, 2025
- 47 hours from Paris to Moscow.Nord-Express, 1990
- Eighty men and one woman on a steel island.L'Île noire, 1994
- Fifteen towns called Amsterdam, six hours to cross them.Amsterdam Stories USA, 2012
- Sixteen sitters, one week, natural light.On the Road – in Bredevoort, 2025
Dutch filmmaker and photographer, born in Amsterdam in 1953, based in Brussels since 1975 and in Lisbon. Films since 1978, portraits made on the road, and teaching since 1988.
Departures
Films 1990–2016, in order of release
Showing 11 of 21 films. 2 more are in progress.
See all filmsFour programmes, ready to travel
Each programme is a route through the films, with screeners for your committee and Rob in person for the talk.



Closed worlds
4 films, 220 min- 1990Nord-Express
- 1992Transatlantique, Queen Elizabeth 2
- 1994L'Île noire
- 2002Les Passagers de l'Alsace
A night train, a liner, a rig and a regional line: strangers sharing a space they cannot leave.


Amsterdam ×2
2 films, 440 min- 1998Amsterdam via Amsterdam
- 2012Amsterdam Stories USA
Following a name around the world: two islands called Amsterdam, then fifteen American towns.



Islands
4 films, 212 min- 1994L'Île noire
- 1995Les Açores de Madredeus
- 1998Amsterdam via Amsterdam
- 2000Le Piège de Kerguelen
The Azores, Kerguelen, Spitsbergen and a steel island in the North Sea.



East and West
2 films, 139 min- 2001Canton la Chinoise
- 2016On the Track of Robert van Gulik
Robert van Gulik’s China and a Guangzhou seen through glass, with a masterclass.
The staged real
A documentary is built, not found. Rob writes first, scouts for a long time and explains his method to everyone before the camera turns. Then he films, so that reality can still surprise him.
“How to predict the unpredictable?”
Rob Rombout, notes for a masterclass on writing and directing


Four ways of building a film, as Marc-Emmanuel Mélon reads them in La mise en scène du réel (Yellow Now, 2022). The book is being translated into English, Portuguese and Chinese.
Sound first. Then the image.
At the Beijing Film Academy, students told Rob that a film is 80 percent image and 20 percent sound. He answered that he uses the same percentages, the other way around.
In his workshop, students record and edit the sound of a place before they may film it. Rob developed the exercise within DocNomads.
Listen first. The image stays hidden until you ask for it.
Sound before image
A workshop of one to three days for film students and young makers.
In English, French or DutchThe staged real
A lecture with film excerpts, or a seminar on writing and directing documentary.
Built on Mélon’s bookPortraits on the road
A photography masterclass with no talk of lenses. One question: what do you want to tell?
Given in Bredevoort, 2025The same light for everyone.
Portraits made on film shoots, scouting trips and ordinary roads. A novelist and a waitress get the same light, and the same time. He waits until the pose is gone.

A man of departures, with two home ports.
Rob has filmed trains, liners, rigs and islands: places everyone leaves. He has lived in Brussels since 1975 and taught there from 1988 to 2018. Lisbon is the second port.
- 1953AmsterdamBorn there, raised in Zaandam.
- 1975BrusselsFilm school, then a home port for fifty years.
- 1990–2016ElsewhereMoscow, the Atlantic, Kerguelen, Guangzhou, fifteen Amsterdams.
- NowLisbonTeaching, and a second home.
Now
Last shown
On the Road – in Bredevoort
Koppelkerk, Bredevoort
No new dates yet: invite Rob for a screening, a show or a masterclass.

Work with Rob
Programme a retrospective
Four ready programmes or your own selection. Screeners, technical sheets and Rob for the Q&A.
Plan a programmeBook a masterclass
Sound before image, the staged real, or portraits on the road. One evening to three days.
Book a masterclassExhibit the photographs
Two series and two books, with a hanging plan for your rooms.
Ask about an exhibitionWrite about the work
Facts with their sources, press images, how to cite, and access to the archive.
Open the press room